Showing posts with label Info. Show all posts
Showing posts with label Info. Show all posts

Saturday, November 10, 2012

A few sanskrit slokas

It is appraisal time in the company where I work. And the company's internal blogs are full of posts about the appraisal process. One of the blog post, started with the sloka below. I couldnt but help laughing. Our sanskrit slokas seem to have a say about everything :) 



अमंत्रमक्षरं नास्ति वनस्पतिरनौषधम् ।
अयोग्यः पुरुषो नास्ति योजकस्तत्र दुर्लभः ॥
- समयोचितपद्यमालिका
Amantram aksharam nasti,Nasti mulam na aushadham;
Ayogyah purusho nasti,Yojakah tatra durlabhah

There is no letter in the scriipt that is not a mantra, a chanting, a principle;what we need is a Pandit, a scholar to put the letters to form in to meaningful word.There is no root / plant without medicinal value; what we need is a doctor to diagnose it.


There is none in this world who is ineligible, inefficient, ineffective;what we need is a Yojaka( MANAGER) who manifests it.Its very difficult to get correct Yojaka- We therefore approach the young minds with firm belief within that they are ayogyah nasti.

Below are a few more slokas that made me smile. 

मौनान्मूकः प्रचनपटुश्चाटुलो जल्पको वा
घृष्टः पाश्चेर् भवति च वसन्दूरतोप्यप्रगल्भः ।
क्षान्त्या भीरुर्यादि न सहते प्रायशो नाभिजातः
सेवाधर्मः परमगहनो यो्गिनामप्यगम्यः ॥


The duty of service is most difficult to be understood; it is beyond the understanding of even sages; (for a servant is called), is called dumb if he is silent! (if he is) ready with answer, he is talkative or garrulous; if he stands near, he is impident; and if he keeps at a distance, he is timid; if he bears patiently, he is a coward; if he can not brook (harsh words, insults), he is generally considered unmannerly.
आपाण्डुराः शिरसिजास्त्रिवली कपोले
दन्तावली किलिता न च मे विषादः ।
एणीदशो युवतयः पाथि मां विलोक्य
तातेति भाषणपराः खलु वज्रपातः ॥

My temples are grey. My cheeks are without the rows of teeth within. My body is wrinkled. This doesn't bother me much. But when those doe-eyed young women call me Taat (a father figure/grandfather), it hits me worse than a lightning.

आयुषः क्षण एकोऽपि सर्वरत्नैर्न न लभ्यते।
नीयते स वृथा येन प्रमादः सुमहानहो ॥2॥

You cannot trade or buy back even a second of time when it has run out, with all the jewels in the world. So, to simply waste time when you have it is the biggest mistake of all.



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Wednesday, December 28, 2011

Yakshagana




The pictures above are depictions of Yakshagana play.

Okay.. Let me honest..

Those pictures are of my maternal grandfather, Alike Ramayya Rai who was a very famous yakshagana artist, in a Yakshagana play. Those who can read kannada, here is a link on him.

But this link is not about him( Ya.. Ya.. I am saying this, after I have bragged about him, :P) This link is about the art itself.

Yakshagana literally means the song of ‘yakshas’. Yaksha is the name of certain celestial demigods in Hindu mythology.

Yakshagana is a traditional dance drama Indian art originated from Canara region in Karnataka . It is first mentioned in 1105. It picked up momentum in the 15th century and is the product of the Bhakthi movement in South India.

In essence, it is a form of folk art. It has borrowed some elements from the classical forms of drama and dance of South India. In the ancient time Yakshagana would be performed to the music played at the courts of feudal lords.

Most of the times, Yakshagana is performed only by men. The performance of Yakshagana is conducted in the orchestra, consisting of drums, stringed instruments and cymbals. One of the most interesting aspects of Yakshagana is its elaborate make-up code and large costumes.

The performances of Yakshagana generally depict scenes from South Indian epics and Indian epics (Ramayana and Mahabharata). There are two styles of performance in Yakshagana. That is Northern Yakshagana and Southern Yakshagana.

Video below is a yakshagana performance of "Kamsavadhanam"( Killing of Kamsa - a story in the Mahabharata ). Kamsavadham, a tale which depicts the killing of Kamsa, the evil uncle of Lord Krishna is a dance form in Yakshagana. This video shows parts of the complete Kamsavadhanam performance.



You can read more about Yakshagana in the wiki over here.
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Wish you all a very happy, successful 2012... May all your dreams come true...May you get all you ever wished for...

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Friday, June 17, 2011

Bharatanatyam

Last year some time in may my husband and I visited chennai with the whole purpose of visiting and studying Kalakshetra - a dance and music school set up by Rukmini Devi Arundale -who was a pioneer in reviving bharatnatyam in the 20th century. My experience at Kalakshetra was very spiritual and beyond words ! - but I will save the post on my travel to Kalakshetra for some other day and time. This post is about the dance itself - its origin and popularization in the twentieth century.
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Bharata Natyam is perhaps the oldest among the contemporary classical dance forms that are practiced in India and elsewhere in the world. This dance, like any other dance, is intended to provide spiritual satisfaction to the performer and aesthetic experience to the spectators. It can be called an exact art (or even scientific art) since it is set to an excruciatingly detailed grammar. Every part of the body is involved in this dance form and most of the expressions emanate from the eyes. It can be choreographed and performed to the lyrics in any Indian language.

The origin (and antiquity) of Bharatha Natyam has an interesting story behind it. The celestials, it seems, were concerned about the decadence of humanity and tried to rectify the situation. They approached Brahma and requested him to simplify the Vedas so that the humankind can follow the code of conduct prescribed for them. Brahma then distilled the essence of the four Vedas, taking some aspect of each one and created a fifth Veda. He wanted this Veda to be spread among humanity not through text but through a performing art. He entrusted that task to a sage called Bharata Muni, who wrote up the rules for the dance in his text known as Natyasastra and taught them to heavenly damsels and a hundred of his disciples. The performing art incorporated the elements of drama and dance and was called Bharata Natyam.

Historically the origin of Bharata Natyam has been placed in the period between 2nd century BC and 2nd century AD based on sculptural evidence. The development of this dance form through the next seven centuries has been studied from monuments of ancient dynasties, and temples in various parts of India. After the 10th century, Bharata Natyam seems to have developed mainly in southern India and gradually got restricted to a region known as Tamil Nadu. Around the 14th century technical illustrations of dance movements were incorporated as part of the architecture of the temple towers and pillars. The temples in the cities, Kumbakonam, Madurai, and Chidambaram were the major centers of such sculptural capture of the dance form.

In its present form, Bharata Natyam developed from an earlier version called sadir (also known as daasiaattam) which probably evolved between the 17th and 19th centuries. This dance, sadir, was performed by young unmarried women who dedicated themselves to God and performed dances during ceremonial activities in the temples. They were called devadasis (servants of God). In addition, there was a much more pristine dance form in ancient Tamil Nadu called koothu, which is also a forerunner to the modern Bharata Natyam. Various saint-poets and musicians infused Bhakthi through the lyrics which have a rich literary content. The musical compositions formed the core repertoire of Bharata Natyam. In the early 19th century the Thanjavur Quartet (disciples of Muthuswami Dikshitar) consisting of Ponnaiyya, Chinnaiyya, Sivanandam and Vadivelu refined the sadir version and gave it the present form and name which was further popularized in the 20th century among the public by E. Krishna Iyer (an eminent artiste) thereby removing the stigma attached to it. The musical compositions for dance by the Thanjavur Quartet form the bulk of the Bharata Natyam repertoire even today. Mylapore Gowri Amma and Rukmini Devi Arundale were some of the doyennes who helped develop the art further. The latter established Kalakshetra (in Chennai, India), primarily as a music and dance school to promote this art. High standards have been set and achieved through systematic and intense training of students. Introduction of several designs of artistic costumes added more luster. Through the work of several dedicated artistes, Bharata Natyam has metamorphosed from a concealed art within the temple walls to a glamorous one much to the admiration of connoisseurs.
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This post is a excerpt this article - http://www.maheethadance.envy.nu/bharathanatyam.html - due credit goes to them.
The pictures on this post are of Rukmini Devi Arundale and have been taken from various sites.

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Wednesday, March 2, 2011

My bird journey...


It was a holiday that day, as I sat in the balcony of my second floor house in Bannergatta Road, Bangalore. The balcony overlooks a huge garden that the residents of the ground floor house have developed. It has a lush green, well maintained lawn, and flowering bushes and creepers of various shapes and sizes all around. These bushes have leaves and flowers of different colors and sizes.

The garden has a small wooden seat too for people to come and relax. One corner of the garden has a huge mango tree whose leaves come up to the window of our house.

All this means I get full top view of a beautiful garden and the activities in it. Sometimes there are children playing , sometimes some cats chasing its little ones, and sometimes the lady of the house is sitting there doing her tasks. On the bushes are cute little squirrels running from one branch to another, nibbling at the blossomed flowers, squabbling and chasing each other.

And then there are beautifully colored butterflies who would hop from one twig to another and by the time, I would get my camera to click them, would hide into the branches. Black, yellow, red, green - you name it - they are there in all the rainbow colours.

One day as I was watching the various activities on the bushes below, I got to see something magical. I got to see these -

Beautiful, tiny and very active the Green Warblers. I would love to see the yellow breast of these birds. I was( notice the “was” :- ) ) not a bird watcher or a bird lover for that matter. But then spotting birds of this size – in my very own garden - that was very fascinating! There after I would wait on my balcony to watch these birds. After endless and countless hours of waiting, I realized that these birds are visible most either early morning, or around eleven. Also I realized I don’t have to wait to spot these birds. These birds are very vocal – so if I keep my ears open – I would hear their chirps whenever they were around – and then I could rush to the balcony to spot them.


As I would wait on the warblers, I started noticing the 'Bulbuls'. These birds are generally spotted in pairs. Loved to see their orange cheeks and orange tail ends and was fascinated to see their spiked horn on their head.


Just today, I got to see these - Purple Rumped Sunbirds. Shiny blue green head, yellow breast and less than 3 inches. Wow !

And there are times when I get to see the tiny kingfishers. Beautiful small and shiny blue. Something like this -

On a lucky day, you will get see the regular parrots too.. :)

But the icing on the cake came a week back when I spotted a cuckoo perched happily on one of the top most branches of the mango tree - can you believe that ! It had rained out of season that morning - and in Bangalore, everytime it rains the cuckoos come out. No matter where you are in Bangalore, you will get to hear a cuckoo cooing during rains. Coming back to the cuckoo that I saw at such a close quarter - I noticed that the bird has deep red eyes.. Unbelievable ! Beautiful !

Friends - I know for sure, my quest for birds and their sounds has started .

Now whereever I go I look out for birds and try to find out more about it. And must tell you - Bangalore is a bliss for these birds. !

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Note : All the pictures on this site are from various sites on the web. Some of these sites are

http://www.indiamike.com/photopost/showphoto.php/photo/23157/size/big


http://orientalbirdimages.org/search.php?Bird_ID=1829&Bird_Image_ID=42417&Bird_Family_ID&p=5


http://www.birdsisaw.com/Photo.aspx?q=5179


http://en.wikipedia.org/wiki/List_of_birds_of_Bangalore


http://www.flickr.com/photos/21815205@N00/154228243/in/set-72057594137182184/

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Wednesday, November 24, 2010

The Beautiful Kashmiris !

Captivating ! Isnt it !
I recently saw my kashmiri friends dressed for a marriage in their traditional Kashmiri ornaments which prompted me to write this post.

Kashmir is inhabited by people from different communities like the Kashmiri Pandit, Ladakhi and Dogra tribes. This post is more about the dress and ornaments of the Kashmiri women - the muslim inhabitant in Kashmir as well as the Kashmiri Pandit.

This is a picture of an actress in a hindi movie. ( Couldnt find a clearer picture of a Kashmiri lady )


Here are some information on the picture -

Image: Sharmila Tagore in Shakti Samanta's Kashmir Ki Kali (1964). Religion unknown. Most likely a Muslim lady.

Tchand're Taa'che - Moon Headgear. Kashmiri Pandit woman also wear it.

Kan'waaj'e - Ear Rings - Typically worn by the muslim women.

The women are sometimes very handsome. The parda-nashins are, of course, very rarely seen. The men wear a long shirt called firan, which in the case of Hindus has long, narrow sleeves, and Muhammadans short, full ones. The Hindu woman or Punditani wears a girdle and has a white cap, whereas the Mussulman! wears a red head-dress. The black hair of young girls is braided in many thin strands, covering the back and forming a semi-circle, with a knot of hair hanging down the back, and stretching sometimes nearly to the feet.

- John Collett, A Guide for Visitors to Kashmir (1984)Here is a picture of Pandit Nehru's mother - a Kashmiri Pandit lady.

Notice her ear ornaments. The Kashmiri Pandit women wear the Dejharoo, Athroo as a symbol of their marriage - much like the mangal sutra is worn by women in some states of India.

The dejharoo is a pair of gold pendants, hanging on a silk thread or gold chain which passes through holes in the ears pieced at the top end of the lobes. You can read a very good description of the dejhoor over here.

I find the varied culture of the various states in India very fascinating. Some other day , some other post , I might put up something on the dressing of women of some other state.

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Note and Acknowlegement : A lot of information on this post, including the pictures are from this site http://www.searchkashmir.org

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Monday, October 25, 2010

Saptapadi !


Marriages are time to bond ! Marriages are time to go glamorous ! Time to serve ! Time to be served ! Time to shop ! Oh ! Time to have fun ! The bride and bridegroom especially go through weeks of beautification , and preparation - all for the that one D-day. Elaborate preparations go through in the families involved and the D - day bears the fruits of all the hard work gone. The funny consequence of this also is that on the D-day the bride, bride-groom and the families are so in the function itself that most of the times, most of us, do not realize what is actually happening in the marriage proceedings. Well, understanding is a little difficult too, coz the rituals, lets talk about hindu rituals for now, happen in a language that is not understood easily by the common public.

Last year I attended the hindu marriage function of my cousin who got married through the Arya Samaj. The best part of a Arya Samaj marriage is that the chants are translated into English, or Hindi, so that the bride , bridegroom and all the people present in the ceremony can understand the rituals that are going on.

One important ritual of our marriage is a ritual called Saptapadi - or the seven vows the couple take as they take seven steps around the sacred pyre. With each step that the bride and the groom take, a vow is uttered. Even though I have been married for long now, I never fully knew what the saptapadi vows say.

This time I actually heard the meaning of the vows and found it pretty interesting to know the depth each of the vow that the couple took. And here are the seven vows that are taken in this ritual -

  • The bride and the groom take the first step of the seven vows to pledge that they would provide a prospered living for the household or the family that they would look after .

  • During the second step of the seven pheras, the bride and the groom promise that they would develop their physical, mental and spiritual powers in order to lead a lifestyle that would be healthy.

  • During the third vow, the couple promises to earn a living and increase by righteous and proper means, so that their materialistic wealth increases manifold.

  • While taking the fourth vow, the married couple pledges to acquire knowledge, happiness and harmony by mutual love, respect, understanding and faith.

  • The fifth vow is taken to have expand their heredity by having children, for whom, they will be responsible. They also pray to be blessed with healthy, honest and brave children.

  • While taking the sixth step around the sacred fire, the bride and the groom pray for self-control of the mind, body and soul and longevity of their marital relationship.

  • When the bride and the groom take the seventh and the last vow, they promise that they would be true and loyal to each other and would remain companions and best of friends for the lifetime.

These vows are so meaningful and deep - it will take the couple a lifetime of togetherness and companionship trying to live these vows.

I realized nothing can define a marriage the way the Saptapadi vows do.

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Tuesday, July 20, 2010

Colourful hats !

About a week back, I was in Chennai. And as I went about my duties, I noticed that the head gear of the traffic police in Chennai is quite different from that of those in Bangalore.

Made me curious! Is it really true that the head gears of the traffic police in each of the states in India have their own distinct identity? Pretty Interesting!

This made me go about looking at the head gears of the traffic police in South India.

Check the Chennai Traffic police head gear. Perhaps the most boring one of the lot.


The traffic police in Bangalore wear something like this. Note that the traffic police also has the round shapped hat - only his is in white.
And then I also knew that the traffic police in Pondicherry wear their european style hats - the influence of being the French colony long back.

And check out the head gear of the Mumbai traffic police. The very traditional cap worn in the villages of Maharastra.
The bureaucrats in India do have a good sense of humour, creativity and identity ! Feels good to know that !! :)

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Monday, January 11, 2010

Makarasankranti - The festival of Kites !

Recently my friend Neelu (from my Baroda days) and her husband Amit had been to our place and I was telling Raghav and Amit that we should go to Baroda during the Navratri. The colourfulness , people dressing up in their traditional best and the garba dance -how a city can become alive in the night and how one gets transported to a almost different and a fantasy world is something that needs to be witnessed to be believed.

And as I was talking to him about Navratri, he says - Yes. And I also want to go to Baroda during that kite flying festival .

That touched a chord ! How could I have ever forgotten about the kite flying festival of Uttrayana or Makarasanktranti in Gujarat !

Sankranthi means transmigration of Sun from one Rāshi (zodiac in Indian astrology) to the other. Hence there are 12 such Sankrantis in all. However, the Sankranthi festival usually refers to Makara Sankaranti, or the transition of the Sun from Dhanu rashi (Sagittarius) to Makara rashi (Capricorn). This festival is also called Uttrayana which means- "Uttara( meaning North ) Ayana( Going )" - the start of the "northward journey of the sun ".

There is another significance of this day - after this day the days start becoming longer and warmer and thus the chill of winter declines.

Every year 14th and 15th Jan is a holiday in Gujarat. The build up for the festival begins a good 2-3 months earlier to the actual festival. The Kite makers start making their kites and beautiful , colourful kites start hanging on the rims of the small shops.

Along with the kites , a critical part of the Kite flying is the string to which the kite is tied. These strings are themselves made of different colours and very importantly are mixed with "glass powder". This is so that, it can be used as an effective weapon in cutting other people's kite.

About a month before the actual festival, the kite flying begins. One can start seeing the highly enthusiastic kite flyers come out and enjoying themselves with the kite flying.

Though, nothing can prepare you for the josh, excitement, colourfulness, fun and gaeity of the 14th of Jan. Kite flying begins at sunrise for most of the gujratis. And Oh ! How beautiful the sky looks on that day. Check this out -



Along with the kite flying , comes a very intense competition among the kite flyers on how long does one's kite remain in the sky or who's kite is the strongest of all. Kite flyers challenge other kite flyers to get into a tussle with them . And the fight starts. Both the kite flyers manoeuvre and guide their kites to entangle the string of the other person's kite and eventually cut it. And after a small struggle, one kite starts flying off in the air aimlessly. There is jubiliation on the winning side, coz not only the kite flyers but the whole gang of people around them are having fun.

And do you think the game ends there. Hell no ! The next interesting part is to catch the orphaned kite that is now wandering aimlessly. Judging the direction of the wind , and predicting which way the kite will go and eventually fall, would be a bunch of young children - ever ready to pounce on the "fallen" kite ( pun intended ) :). And finally the caught kites would go back in to the kitty of their family or friends who would be using it for their next kite match.

Fun - colour and life is what you get to see on this festival.
If you ever get a chance to go to Baroda or Ahmedabad ( or any city of Gujarat for that matter ), dont ever miss to see the beauty of Uttarayan.

Happy Makarsankranti ! :)

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P.S. All the photoes used in this post are from the site - http://www.facebook.com/pages/Uttarayan-Festival-Kite-Flying-Day - I profoundly acknowledge and express my gratitude to those who have put up these pictures on this facebook group . These pictures brought out profound memories of the wonderful festival and these pictures were the only reason, that I could write this post.

Read about the complete article on MakaraSankranti on wikipedia over here.

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Sunday, October 11, 2009

The Elusive Maricha ( and a few other pictures on the photoblog )

On our way back( R and mine ), from Nagarhole, in the month of August, as we were enjoying the sights of the dense green forest on both the sides of the road, something that moved in the forest, caught our eye. We spotted a 'Maricha' ( The Maricha is a mythological character in the hindu epic - Ramayana.) luring and beckoning us to follow it. We couldn't resist capturing it on our camera. Check it out -




In Ramayana, after being lured by the enchanting deer, Sita is abducted by the demon kind Ravana. Lord Rama, then, rescues her from Lanka where she had been hidden by Ravana, after a hard fought battle.

Dassera is celebrated as a festival by the 'Hindus' to mark this triumph of the good over the evil.

In Mysore, Dassera is celebrated to mark the victory of Hindu Goddess Chamundeshwari over the demon kind Mahisasura. 'Mysore Dassera' is well known for an age-old tradition of celebrating the Dassera festival by having a long procession on the streets of Mysore city.

This year, on the second day of this ten day long festival, we happened to visit Mysore and we had the profound privilege of watching the rehearsals of this procession being conducted.

Check out the pictures of 'Mysore Dassera' celebrations at 'Mysore Dassera and Mareecha on the photoblog '.

(The complete set of the pictures on my photoblog, can be viewed at 'My Photoblog'. )

I hope that you enjoyed the pictures as much as we enjoyed taking them.

With this month being a month of festivals - Dassera has just passed by, and the festival of lights is round the corner - Heres my wish for all of us-

May the lights of Diwali enlighten each and everyone's soul :)

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Wednesday, January 21, 2009

The Historic President Obama speech

The historic President Obama speech. The speech says it all.




Here is his historic speech:
My fellow citizens:
I stand here today humbled by the task before us, grateful for the trust you have bestowed, mindful of the sacrifices borne by our ancestors. I thank President Bush for his service to our nation, as well as the generosity and cooperation he has shown throughout this transition.
Forty-four Americans have now taken the presidential oath. The words have been spoken during rising tides of prosperity and the still waters of peace. Yet, every so often the oath is taken amidst gathering clouds and raging storms. At these moments, America has carried on not simply because of the skill or vision of those in high office, but because We the
People have remained faithful to the ideals of our forbearers, and true to our founding documents. So it has been. So it must be with this generation of Americans.

That we are in the midst of crisis is now well understood. Our nation is at war, against a far-reaching network of violence and hatred. Our economy is badly weakened, a consequence of greed and irresponsibility on the part of some, but also our collective failure to make hard choices and prepare the nation for a new age. Homes have been lost; jobs shed; businesses shuttered. Our health care is too costly; our schools fail too many; and each day brings further evidence that the ways we use energy strengthen our adversaries and threaten our planet.

These are the indicators of crisis, subject to data and statistics. Less measurable but no less profound is a sapping of confidence across our land - a nagging fear that America's decline is inevitable, and that the next generation must lower its sights.

Today I say to you that the challenges we face are real. They are serious and they are many. They will not be met easily or in a short span of time. But know this, America - they will be met.

On this day, we gather because we have chosen hope over fear, unity of purpose over conflict and discord.

On this day, we come to proclaim an end to the petty grievances and false promises, the recriminations and worn out dogmas, that for far too long have strangled our politics.

We remain a young nation, but in the words of Scripture, the time has come to set aside childish things. The time has come to reaffirm our enduring spirit; to choose our better history; to carry forward that precious gift, that noble idea, passed on from generation to generation: the God-given promise that all are equal, all are free, and all deserve a chance to pursue their full measure of happiness.

In reaffirming the greatness of our nation, we understand that greatness is never a given. It must be earned. Our journey has never been one of short-cuts or settling for less. It has not been the path for the faint-hearted - for those who prefer leisure over work, or seek only the pleasures of riches and fame. Rather, it has been the risk-takers, the doers, the makers of things - some celebrated but more often men and women obscure in their labor, who have carried us up the long, rugged path towards prosperity and freedom.

For us, they packed up their few worldly possessions and traveled across oceans in search of a new life.

For us, they toiled in sweatshops and settled the West; endured the lash of the whip and plowed the hard earth.

For us, they fought and died, in places like Concord and Gettysburg; Normandy and Khe Sahn.
Time and again these men and women struggled and sacrificed and worked till their hands were raw so that we might live a better life. They saw America as bigger than the sum of our individual ambitions; greater than all the differences of birth or wealth or faction.

This is the journey we continue today. We remain the most prosperous, powerful nation on Earth. Our workers are no less productive than when this crisis began. Our minds are no less inventive, our goods and services no less needed than they were last week or last month or last year. Our capacity remains undiminished. But our time of standing pat, of protecting narrow interests and putting off unpleasant decisions - that time has surely passed. Starting today, we must pick ourselves up, dust ourselves off, and begin again the work of remaking America.
For everywhere we look, there is work to be done. The state of the economy calls for action, bold and swift, and we will act - not only to create new jobs, but to lay a new foundation for growth. We will build the roads and bridges, the electric grids and digital lines that feed our commerce and bind us together. We will restore science to its rightful place, and wield technology's wonders to raise health care's quality and lower its cost. We will harness the sun and the winds and the soil to fuel our cars and run our factories. And we will transform our schools and colleges and universities to meet the demands of a new age. All this we can do. And all this we will do.

Now, there are some who question the scale of our ambitions - who suggest that our system cannot tolerate too many big plans. Their memories are short. For they have forgotten what this country has already done; what free men and women can achieve when imagination is joined to common purpose, and necessity to courage.

What the cynics fail to understand is that the ground has shifted beneath them - that the stale political arguments that have consumed us for so long no longer apply. The question we ask today is not whether our government is too big or too small, but whether it works - whether it helps families find jobs at a decent wage, care they can afford, a retirement that is dignified.
Where the answer is yes, we intend to move forward. Where the answer is no, programs will end. And those of us who manage the public's dollars will be held to account - to spend wisely, reform bad habits, and do our business in the light of day - because only then can we restore the vital trust between a people and their government.

Nor is the question before us whether the market is a force for good or ill. Its power to generate wealth and expand freedom is unmatched, but this crisis has reminded us that without a watchful eye, the market can spin out of control - and that a nation cannot prosper long when it favors only the prosperous. The success of our economy has always depended not just on the size of our Gross Domestic Product, but on the reach of our prosperity; on our ability to extend opportunity to every willing heart - not out of charity, but because it is the surest route to our common good.

As for our common defense, we reject as false the choice between our safety and our ideals. Our Founding Fathers, faced with perils we can scarcely imagine, drafted a charter to assure the rule of law and the rights of man, a charter expanded by the blood of generations. Those ideals still light the world, and we will not give them up for expedience's sake. And so to all other peoples and governments who are watching today, from the grandest capitals to the small village where my father was born: know that America is a friend of each nation and every man, woman, and child who seeks a future of peace and dignity, and that we are ready to lead once more.
Recall that earlier generations faced down fascism and communism not just with missiles and tanks, but with sturdy alliances and enduring convictions. They understood that our power alone cannot protect us, nor does it entitle us to do as we please. Instead, they knew that our power grows through its prudent use; our security emanates from the justness of our cause, the force of our example, the tempering qualities of humility and restraint.

We are the keepers of this legacy. Guided by these principles once more, we can meet those new threats that demand even greater effort - even greater cooperation and understanding between nations. We will begin to responsibly leave Iraq to its people, and forge a hard-earned peace in Afghanistan. With old friends and former foes, we will work tirelessly to lessen the nuclear threat, and roll back the specter of a warming planet. We will not apologize for our way of life, nor will we waver in its defense, and for those who seek to advance their aims by inducing terror and slaughtering innocents, we say to you now that our spirit is stronger and cannot be broken; you cannot outlast us, and we will defeat you.

For we know that our patchwork heritage is a strength, not a weakness. We are a nation of Christians and Muslims, Jews and Hindus - and non-believers. We are shaped by every language and culture, drawn from every end of this Earth; and because we have tasted the bitter swill of civil war and segregation, and emerged from that dark chapter stronger and more united, we cannot help but believe that the old hatreds shall someday pass; that the lines of tribe shall soon dissolve; that as the world grows smaller, our common humanity shall reveal itself; and that America must play its role in ushering in a new era of peace.

To the Muslim world, we seek a new way forward, based on mutual interest and mutual respect. To those leaders around the globe who seek to sow conflict, or blame their society's ills on the West - know that your people will judge you on what you can build, not what you destroy. To those who cling to power through corruption and deceit and the silencing of dissent, know that you are on the wrong side of history; but that we will extend a hand if you are willing to unclench your fist. To the people of poor nations, we pledge to work alongside you to make your farms flourish and let clean waters flow; to nourish starved bodies and feed hungry minds. And to those nations like ours that enjoy relative plenty, we say we can no longer afford indifference to suffering outside our borders; nor can we consume the world's resources without regard to effect. For the world has changed, and we must change with it.

As we consider the road that unfolds before us, we remember with humble gratitude those brave Americans who, at this very hour, patrol far-off deserts and distant mountains. They have something to tell us today, just as the fallen heroes who lie in Arlington whisper through the ages. We honor them not only because they are guardians of our liberty, but because they embody the spirit of service; a willingness to find meaning in something greater than themselves. And yet, at this moment - a moment that will define a generation - it is precisely this spirit that must inhabit us all.

For as much as government can do and must do, it is ultimately the faith and determination of the American people upon which this nation relies. It is the kindness to take in a stranger when the levees break, the selflessness of workers who would rather cut their hours than see a friend lose their job which sees us through our darkest hours. It is the firefighter's courage to storm a stairway filled with smoke, but also a parent's willingness to nurture a child, that finally decides our fate.

Our challenges may be new. The instruments with which we meet them may be new. But those values upon which our success depends - hard work and honesty, courage and fair play, tolerance and curiosity, loyalty and patriotism - these things are old. These things are true. They have been the quiet force of progress throughout our history. What is demanded then is a return to these truths. What is required of us now is a new era of responsibility - a recognition, on the part of every American, that we have duties to ourselves, our nation, and the world, duties that we do not grudgingly accept but rather seize gladly, firm in the knowledge that there is nothing so satisfying to the spirit, so defining of our character, than giving our all to a difficult task.

This is the price and the promise of citizenship.
This is the source of our confidence - the knowledge that God calls on us to shape an uncertain destiny.

This is the meaning of our liberty and our creed - why men and women and children of every race and every faith can join in celebration across this magnificent mall, and why a man whose father less than sixty years ago might not have been served at a local restaurant can now stand before you to take a most sacred oath.

So let us mark this day with remembrance, of who we are and how far we have traveled. In the year of America's birth, in the coldest of months, a small band of patriots huddled by dying campfires on the shores of an icy river. The capital was abandoned. The enemy was advancing. The snow was stained with blood. At a moment when the outcome of our revolution was most in doubt, the father of our nation ordered these words be read to the people:

"Let it be told to the future world...that in the depth of winter, when nothing but hope and virtue could survive...that the city and the country, alarmed at one common danger, came forth to meet [it]."


America. In the face of our common dangers, in this winter of our hardship, let us remember these timeless words. With hope and virtue, let us brave once more the icy currents, and endure what storms may come. Let it be said by our children's children that when we were tested we refused to let this journey end, that we did not turn back nor did we falter; and with eyes fixed on the horizon and God's grace upon us, we carried forth that great gift of freedom and delivered it safely to future generations.

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Couldnt help putting the entire speech here. Every sentence in there is so very powerful, so very relevant.
God bless Obama and may he have the strength to deliver all that he envisions.

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Wednesday, March 5, 2008

Kashmir Shaivism, Herath, Castism

Had an interesting conversation with a Kashmiri Uncle of mine . Excerpts of the conversation , I am pasting below - Enjoy maadi.. Good reading ..
On Herath Mubarak
me: HI uncle
what is herath mubarak ?
Avtar: Heerath in Kashmiri language means Sivratri....it is our main festival like people have Diwali
Kashmir is the land of Shaivism .

On Kashmir Shaivism
Avtar : Kashmir Shaivism is a bit different...
me: oh ok . thanks for that gyaan . just a doubt . siva is the destructor . why would people worship shiva as the main deity
Avtar: In our cocept of Shiva.....nothingness...everything came from nothing and goes back to the same. sum total of everything is ZERO.
me: hmm . ok . so you pray Shiva to create the emptiness ?
Avtar: There is a book "Being & Nothingness" by Existentialist writer Jean Paul Sartre..
me: ok . let me chck that out
Avtar: Included within the broad umbrella of the various Hindu philosophies, Kaśmir Śaivism is a school of Śaivism categorized by various scholars as monistic idealism (absolute idealism, theistic monism, realistic idealism, transcendental physicalism or concrete monism). In other words, there is only one reality, that is Cit - consciousness. The world and the souls are identical to Cit. Matter is not separated from consciousness, but rather identical to it. There is no gap between God and the world, including living beings. The world is not an illusion (as in Advaita Vedanta), only the perception of duality is the illusion.Kashmir Shaivism arose during the eighth or ninth century CE. in Kashmir and made significant strides, both philosophical and theological, until the end of the twelfth century CE. Kashmir Shaivism is remarkable through its ethos and orientation, a veritable cosmography of consciousness.Kashmir Shaivism is the philosophical basis for Hindu tantra, which is symbolized by the Shri Yantra.The first Kashmiri Shaiva texts were written in the early ninth century CE.
As a monistic tantric system, Trika Shaivism, as it is also known, draws teachings from shrutis, such as the monistic Bhairava Tantras, Shiva Sutras of Vasugupta, and also a unique version of the Bhagavad Gita which has a commentary by Abhinavagupta, known as the Gitartha Samgraha. Teachings are also drawn from the Tantraloka of Abhinavagupta, prominent among a vast body of smritis employed by Kashmir Shaivism.In general, the whole written tradition of Shaivism can be divided in three fundamental parts: Āgama Śāstra, Spanda Śāstra and Pratyabhijñā Śāstra.[26]1. Āgama Śāstra are those writings that are considered as being a direct revelation from Siva. These writings were first communicated orally, from the master to the worthy disciple. They include essential works such as Mālinīvijaya Tantra, Svacchanda Tantra, Vijñānabhairava Tantra, Netra Tantra, Mgendra Tantra, Rudrayāmala Tantra, Śivasūtra and others. There are also numerous commentaries to these works, Śivasūtra having most of them.2. Spanda Śāstra, the main work of which is Spanda Kārikā of Vasugupta, with its many commentaries. Out of them, two are of major importance: Spanda Sandoha (this commentary talks only about the first verses of Spanda Kārikā), and Spanda Nirṇaya (which is a commentary of the complete text).[28]3. Pratyabhijñā Śāstra are those writings which have mainly a metaphysical content. Due to their extremely high spiritual and intellectual level, this part of the written tradition of Shaivism is the least accessible for the uninitiated. Nevertheless, this corpus of writings refer to the simplest and most direct modality of spiritual realization. Pratyabhijñā means "recognition" and refers to the spontaneous recognition of the divine nature hidden in each human being (atman). The most important works in this category are: Īśvara Pratyabhijñā, the fundamental work of Utpaladeva, and Pratyabhijñā Vimarśinī, a commentary to Īśvara Pratyabhijñā. Īśvara Pratyabhijñā means in fact the direct recognition of the Lord (Īśvara) as identical to one's Heart. Before Utpaladeva, his master Somānanda wrote Śiva Di (The Vision of Siva), a devotional poem written on multiple levels of meaning.[29]
All the four branches of the Kashmiri Shaivism tradition were put together by the great philosopher Abhinavagupta (approx. 950-1020 AD[30]). Among his important works, the most important is the Tantraloka ("The Divine Light of Tantra"), a work in verses which is a majestic synthesis of the whole tradition of monistic Shaivism. Abhinavagupta succeeded in smoothing out all the apparent differences and disparities that existed among the different branches and schools of Kashmir Shaivism of before him. Thus he offers a unitary, coherent and complete vision of this system. Due to the exceptional length (5859 verses[31]) of Tantraloka, Abhinavagupta himself provided a shorter version in prose, called Tantrasara ("The Essence of Tantra").
some references in Wikipedia..
me: that was good . I will read on the same
Avtar: kashmir Shaivism is explained by a great Sanskrit Scholar" Abhinavguptacharya" who was born in Kashmir....

Castism
Avtar: the origins of Brahminism lie in Kashmir.
me: oh ok . basic question . are the Gods Brahmins.. hmm.. no these are human created.
so some saint in Kashmir created the castes ?
Avtar: Brahminism is not casteism....anyone who is knowledgeable in the knowledge of vedas and upanishads is a brahmin.....we donot have any other castes in kashmir.. so casteism is non existant there....
me: thats a interesting concept . wow
Avtar: When whole of India was converted into Buddhism after Ashoka reign....it is in Kashmir that Buddhists were defeated in a face to face debate....and the result was that Hinduism came back to india full steam..
me: ok
Avtar: Shankaracharya also visited Kashmir in those days....travelled on foot from Cochin
me: hmm
Avtar: all the way to Kashmir
me: ok..
Avtar: Kashmir was once the citadel of Sanskrit literature and philosophy...it produced thinkers like Kalhana, Abhinavguptacharya, Kshemendra, Bhanbhatt, charvaka, panini, patanjali...to name a few...even kalidasa was originally from kashmir but worked in the cour of Harshvardhan at ujjain
none of them preached casteism
me: ok..
Avtar: it is the basically the minset that is trained into reasong, questioning, analysis and synthesis.....u can be from anywhere....guru is a guru...
me: true
guru can be of any caste too
Avtar: The greatness og Hindu thought lies in its freedom to question anything....that is why.....they are strong....not closed mentally...
me: hmm
yes
Avtar: Read Sir. Robert Oppenheimer who developed the atomic bomb...he was well versed in SANSKRIT.....and had Bhagwadgita by his bedside when he died....read him...
me: ok.
Avtar: Read Professor Arnold Toynbee...who wrote a study of History....or Will Durant who wrote our Oriental Heritage.... you will begin to appreciate what I am saying
me: ok will do.
I have a month also to spend time reading :)
Avtar: Majja ayega.....knowledge is endless....
me: yes.
Avtar: Read Professor S Radhakrishanan'S "Indian Philosophy" or the 6 schools of Indian philosophy...
me: hm..
Avtar: i loaded with heavy stuff... nice talking to u.....enjoy.
me: no.. that was knowledge . thanks for the same. I can explore now. thank you again
Avtar: keep well take care....
..

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